Call it consistency if you’d like, but I got another beat I ended up crafting some lyrics to. Here’s the beat:

I got a chance to dissect and cross check to see if my 2nd opinion’s say so about the 2 factors were in agreement or not. I was given this:

Being intentionally loose

Being intentionally loose isn’t a description that I’ve heard from many people when describing a beat that’s produced, but I would get what the goal is. It’s not rocket science here in where looking to achieve this effect is usually meant to execute freely. There’s cases where people need to lock in and focus on the moment to a seriousness that’s tough to match, but when you’re trying to get the opposite effect, it’s executing with knowledge that you perform your best when you’re not thinking too much about the moment.

Conversational

The next point that was made about this beat was that it’s very supportive of conversation. 

I’d agree that it’s the case. You look at details that make all the difference in suggesting that’s true with runtime. That’s all I could convincingly believe to be supportive of that truth.

Rhythmic Driven

Having a rhythmic vibe is something I particularly like, but it can sometimes be the toughest beat for me to work on at times. I get it if someone wants to confidence check me about that. I’m just being a little transparent in that regard. Durk however has a specialty in this department. Because we’re also mentioning another Chicago native, it’s a scenario where this particular sound should be more natural for those locked into this specific part of hip hop culture.

I’ve gotten better at flowing in rhythmic beats though. Personally it takes more takes  to manually sync my vocals with these sounds (not similar to Lil Durk type beats) during recording sessions.

Similaic Friendly

My last point is what I call being similaic friendly. 

Let me break down what that means exactly. Let’s get a basic grammar lesson in. A simile is the act of describing moments with actually using the words “like” and “as” for support. When I call this beat similaic friendly, it satisfies the previous descriptions of this beat in being able to be loose and hold a conversational tone. I do the same at times and attempt having monologues over this sound. If I find myself having several explanations that include the uses of similes, I’ll categorize it with this title.

Final Thoughts

Ultimately I agree with the analysis. It suits my tendencies when crafting lyrics.